YOSHIHARU TSUKAMOTO / ATELIER BOW-WOW
Atelier Bow-Wow 1992 established by Yoshiharu Tsukamoto and Momoyo Kaijima in Tokyo. 2001 a Partnership with Mikiko Terauchi

Yoshiharu Tsukamoto

1965 Born in Kanagawa, Japan. 1987 Graduate from Tokyo Institute of Technology. 1987 a Guest Student of L'ecole d'architecture, Paris, Bellville (U.P.8). 1994 Graduate from Post-graduate school of Tokyo Institute of Technology. Associate professor of Tokyo Institute of Technology.

Momoyo Kaijima

1969 Born in Tokyo, Japan. 1991 Graduate from Japan Women's University. 1994 Graduate from Graduate school of Tokyo Institute of Technology. 1996 - 97 Guest student of E.T.H. 1999 a Graduate from Post-graduate school of Tokyo Institute of Technology Assistant professor of Tsukuba University.

Works:

PALETTE(Tsukamoto) 1990, Kiosk for vegetables 1999, Hasune World Apartment 1995, Ani House 1998, Kusasenri Toillet 1998, Made in Tokyo 1998,studio minami-aoyama 1998, Mini House 1999, 16th Yoshioka Prize, Gold prize of house architecture 1999 from Tokyo Architect Society), Kawanishi Camping Cottage B 1999, Mitsumon villa 2000, Moca house 2000, House Asama 2001, House Saiko 2001, D.a.S House 2002, Log Saiko 2002, Kadoya 315 2002 Shallow House 2002. // some publications / einige Publikationen: 2001 Les Plus Petites Maisons(Atelier Bow-Wow), 2001 Pet Architecture Guidebook(World Photo Press), 2001 Made in Tokyo(Kajima Institute Publishing Co.,Ltd.)

some publications:

2001 Les Plus Petites Maisons(Atelier Bow-Wow), 2001 Pet Architecture Guidebook(World Photo Press), 2001 Made in Tokyo(Kajima Institute Publishing Co.,Ltd.)

MADE IN TOKYO – on "da-me" – no-good architecture, and architectural hybrids

Studio Bow Wow have over the past years entered into the unloved and overlooked terrain of anonymous buildings, and have investigated the da-me – "no-good" architectures which have resulted within a city where every square meter is put to maximum use. The nameless, hybrid architectures of the city, which until now have not been accepted into architectural culture, are unique, small in scale (hence also their definition as "pet architecture"), and are buildings where practical issues are high, built directly for use, interdependent, and an immediate response to the here and now. Studio Bow Wow have discovered and documented such buildings where a highly unusual ecology is packed into a single building: where a bicycle shop meets a snack-kiosk, meets a batting centre. The result of their investigations has led to a delight in the new possibilities for urban dwelling and new architectures that result from having observed, and sought inspiration from, the unplanned, the individualistic, and the highly idiosyncratic wealth of building that defy classification. In fact, they epitomise the undefinable, the immediate and are both a response, and a legitimate counterweight, to the over-definition within architectural discourse. The pet architectures and da-me buildings also reflect the situation, and value systems, of Tokyo – a city where much has been left unseen in favour of the focus on sleek skyscrapers of the business districts and the financial centre.